Sony Alpha a7S II Mirrorless Digital Camera with 24-70mm f/4 Lens, Mic, and Accessories Kit

Configured for the aspiring filmmaker, the Sony Alpha a7S II Mirrorless Digital Camera with 24-70mm f/4 Lens, Mic, and Accessories Kit from B&H bundles the full-frame mirrorless body and standard zoom lens with an external microphone, a camera bag, a spare battery, a 67mm UV filter, a memory card, and a lens care kit.

Sony Alpha a7S II Mirrorless Digital Camera (Body Only)

Making strides in the video arena, the a7S II Mirrorless Digital Camera from Sony offers an impressive blend of sensitivity, dynamic range, resolution, and speed to benefit a versatile multimedia workflow. Revolving around a full-frame 12.2MP Exmor CMOS sensor, the a7S II is capable of internal UHD 4K recording at 30 fps with full pixel readout as well as 1080p recording at up to 120 fps, all in the XAVC S format. For both stills and video recording, the BIONZ X image processor also pairs with the sensor to enable expanded sensitivity to ISO 409600, continuous shooting to 5 fps, and fast intelligent autofocus with low-light sensitivity to -4 EV. Further enabling working in difficult lighting conditions, 5-axis SteadyShot INSIDE image stabilization compensates for vertical, horizontal, pitch, yaw, and roll camera movements for sharper, smoother handheld recording.

Complementing the 4K recording capabilities is a redeveloped recording setup, including the ability to utilize S-Log3 Gamma and S-Gamut3 in addition to S-Log2, for increasing dynamic range values by up to 1300% to better match high-end post-production workflows. For clearer monitoring potential, an enhanced Zebra function better supports working with S-Log gamma settings and a Gamma Display Assist helps to preview imagery with natural contrast by converting S-Log2 and S-Log3 settings to the ITU709 gamma for easier on-camera viewing.

The a7S II is also characterized by a compact, yet robust, magnesium alloy body design that incorporates a high 0.78x-magnification Tru-Finder OLED electronic viewfinder. With a resolution of 2.36-million dots and a Zeiss T* anti-reflective coating, this finder benefits working in a variety of lighting conditions and is capable of previewing exposure and settings adjustments prior to recording. A rear 3.0″ 1,228,800-dot LCD screen is also available, and features a tilting design to support working from high and low angles. Additionally, built-in Wi-Fi connectivity with NFC allows you to pair mobile devices to the camera for wireless sharing and remote camera control.

Full-Frame Exmor Sensor and BIONZ X Image Processor

A 12.2MP full-frame Exmor CMOS sensor and BIONZ X image processor work together to enable an expansive dynamic range with minimal noise and notable sensitivity from ISO 100-102400, which is further expandable to ISO 50-409600. Coupled with the large individual pixel size the 12.2MP sensor affords, this camera is well-suited to use in low-light conditions.

The sensor’s design also features a new-generation RGB color filter array, as well as a gapless on-chip lens design. Together, these two technologies enable truly efficient light-gathering abilities that further reinforce the low noise, high-sensitivity design. Furthermore, an anti-reflective coating has also been applied to the seal glass of the image sensor to minimize surface reflections, glare, and ghosting for contrast-rich, color-neutral imagery.

The sensor and processor combination also avail a wealth of performance-related benefits to still shooting, including a Speed Priority continuous shooting rate of 5 fps, or a 2.5 fps shooting rate with continuous AF. The Fast Intelligent AF system employs 169 AF points, which is comprised of 25 contrast-detection points and nine central AF points that have been split into 16 segments each, in order to provide both speed and accuracy in low-light conditions down to -4 EV.

Internal UHD 4K Recording and Full Pixel Readout

Internal recording of UHD 4K movies is possible in multiple frame rates up to 30 fps and, based on the 12.2MP resolution, full pixel readout is possible that is void of pixel binning for higher quality imagery with reduced moiré and aliasing. Full HD 1080p recording is also supported in frame rates up to 120 fps, and both resolutions utilize the 100 Mbps XAVC S format contained within an MP4 wrapper with 4:2:0 sampling. The high-speed, 120 fps recording also enables 4x and 5x slow-motion movie recording with the frame rate set to either 30p or 24p.

In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 sampling.

5-Axis SteadyShot INSIDE Image Stabilization

Packed into the svelte a7S II is a 4.5-stop effective 5-axis SteadyShot INSIDE image stabilization system that compensates for five different types of camera shake encountered during handheld shooting of stills and video. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake.

For long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.

Custom Color Profiles and S-Log3 Gamma

Support is available for the S-Gamut3.Cine/S-Log-3 and S-Gamut3/S-Log3 profiles that enable up to a 1300% wider dynamic range for smoother tonal and color gradations, along with enhanced sensitivity and clarity in shadows and mid-tones. These profiles also lend themselves to greater compatibility within a professional workflow and are well-paired to the Cineon Log gamma curve for versatile post-production grading and color control. The S-Log3 gamma setting also offers an impressive 14-stop wide dynamic range for greater control over the highlights and shadows, while the S-Gamut3.Cine profile can be used to mimic the qualities of scanned negative film with a wide gamut comparable to the DCI-P3 color space.

In addition to the S-Log3 gamma, the popular S-Log2 settings are also available.

Zebra and Gamma Display Assist

An enhanced Zebra function is ideally suited to working with S-Log gamma profiles and aids in monitoring exposure values in high-contrast scenes. Video signal level targets can be set from 0 to 109, and specific ranges can be set to make exposure level adjustments easier.

In contrast, a Gamma Display Assist function is also available that displays scenes with natural contrast when recording with S-Log settings. This function converts imagery to the ITU709 profile for easier on-camera monitoring.

Timecode and User Bit Settings

The a7S II has multiple timecode recording options to meet different workflows. It has the standard ‘Record Run” mode that only advances the timecode when recording, as well as “Free Run” timecode that advances the timecode even when not recording, which can be great for syncing multiple cameras at live events. It can also record timecode in both drop frame and non-drop frame modes. When recording internally the a7S II is also able to output timecode via HDMI.

0.5″ 2.36m-Dot XGA OLED Tru-Finder Electronic Viewfinder

With its 4-lens optical system using double-sided aspherical elements the viewfinder faithfully displays what will appear in your recording, including the effects of your camera settings. You’ll enjoy rich tonal gradations and improved contrast. High-end features like 100% frame coverage and a 0.78x magnification enable comfortable and stable eye-level composition.

In addition to the electronic viewfinder, a rear 3.0″ 1,228.8k-dot LCD monitor has also been incorporated into the design and can tilt 107° upward or 41° downward to better enable working from high and low angles.

Built-In Wi-Fi Connectivity with NFC

Built-in Wi-Fi connectivity enables the a7S II to instantly share imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites. NFC (Near Field Communication) is also supported, which allows for one-touch connection between the camera and compatible mobile devices; no complex set-up is required. Once connected, the linked mobile device can also display a live view image on its screen and remotely control the camera’s shutter.

Additionally, PlayMemories Camera Apps are also supported via the built-in Wi-Fi connection, and allow you to personalize the camera’s features depending on specific shooting styles. Apps are available to suit creating portraits, detailed close-ups, sports, time lapse, motion shot, and other specific types of imagery.

Other Camera Features

Cutting down on mechanical vibrations by 50% is the durable reduced-vibration shutter, which has been tested to 500,000 cycles. An electronic front curtain can be used to reduce vibrations further.
A Silent Shutter mode can be used to mute the sound of the shutter for working in quiet environments. Up to 5 fps shooting is possible with the silent shutter and the mode can be assigned to a function button for quick on/off switching.
The top, front, and rear covers of the body have all been made from magnesium alloy for long-lasting durability.
Enhanced Eye AF can be used with AF-S and AF-C focusing modes, and automatically detects and tracks a subject’s eye for critical focus.
The Expand Flexible Spot function can be used with AF Area selections to intelligently expand the size of your selected focusing spot if it is not positioned on your subject.
Focus Magnifier and Peaking functions benefit working with manual focus and allow you to quickly confirm in-focus portions of an image when shooting stills or recording video.
White Balance settings can be fine-tuned for greater personal control over how a scene’s colors are represented.
In addition to the included battery charger, the NP-FW50 battery can also be charged inside the camera via USB.
Adjustable Picture Profile parameters: Black level, Gamma (Movie, Still, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3), Black Gamma, Knee, Color Mode (Movie, Still, Cinema, Pro, ITU709 Matrix, White & Black, S-Gamut, S-Gamut3.Cine, S-Gamut3), Saturation, Color Phase, Color Depth, Detail, Copy, and Reset
Scene Selection modes: Portrait, Landscape, Macro, Sports Action, Sunset, Night Portrait, Night Scene, Handheld Twilight, and Anti Motion Blur.
Picture Effects: Posterization (Color, B/W), Pop Color, Retro Photo, Partial Color (R, G, B, Y), High Contrast Monochrome, Toy Camera, Soft High-key, Soft Focus, HDR Painting, Rich-tone Monochrome, Miniature, Watercolor, and Illustration.
Creative Styles: Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn Leaves, Black & White, Sepia (Contrast -3 to +3 steps, Saturation -3 to +3 steps, Sharpness -3 to +3 steps)

Sony Vario-Tessar T* FE 24-70mm f/4 ZA OSS Lens

Walk around all day with the Vario-Tessar T* FE 24-70mm f/4 ZA OSS Lens from Sony, a compact full-frame option that covers wide-angle to short telephoto perspectives for working with a variety of different shooting styles and subjects. A constant f/4 aperture makes operation smooth and consistent throughout the zoom range. The lens further benefits from the use of one extra-low dispersion element and five aspherical elements to combat aberrations as well as a Zeiss T* anti-reflective coating to keep flare and ghosting to an absolute minimum. The lens is fast to focus as well due to the linear autofocus motor and an internal focus design. Additionally, the dust- and moisture-resistant lens is equipped with Optical SteadyShot image stabilization to reduce the effects of camera shake, and it has a seven-blade circular diaphragm for smooth bokeh.

Based on the Zeiss Tessar optical concept, this lens uses a design with 12 elements in ten groups that helps ensure a smaller overall lens size along with reduced flaring, distortion, and chromatic aberrations.

Covering wide-angle to short telephoto perspectives, this compact 24-70mm can quickly become a go-to lens for Sony’s full-frame E-mount cameras. It can also be used on APS-C format cameras where it will provide a 36-105mm equivalent zoom range.

A constant f/4 maximum aperture offers consistent performance throughout the zoom range and also lends greater control over focus position for shallow depth of field techniques.

Zeiss T* anti-reflective coatings have been applied to each lens surface to help minimize reflections in order to provide greater image clarity, contrast, and color fidelity.

One extra-low dispersion glass element is featured in the lens design to help reduce chromatic aberrations and color fringing for improved clarity and color neutrality.

Five aspherical elements are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations.

Optical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds. This stabilization system can also be combined with select camera’s sensor-shift type image stabilization for more effective control of camera blur.

A linear autofocus motor and internal focus design provide quick and precise autofocus performance and enables accurate and silent focusing while recording videos.

Dust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures.

Rounded seven-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.

Rode VideoMic Pro Camera-Mount Shotgun Microphone

Offering lower noise, higher sensitivity, and more adjustable settings than the VideoMic, the Rode VideoMic Pro camera-mount shotgun microphone is ideal for mobile journalists, vloggers, budget filmmakers, and run-and-gun shooters looking for a cost-effective way to step up to the next level in quality.

A single 9V battery provides up to 70 hours of run time and an LED turns red to indicate low-battery status. Adjustable gain and a selectable bass roll-off make it easy to optimize the level and tone of your recording for a range of scenarios.

This compact and lightweight shotgun microphone features an integrated shockmount that mounts directly to your camera or boompole and reduces noise from various vibrations. The windscreen design reduces wind noise, making it well suited for outdoor shoots. The attached 3.5mm TRS cable ensures easy hookup to your camera, and the dual-mono output means that no channel selection is necessary on your recording device.

Shotgun Mic with Directional Sound Pickup

Whereas most built-in camera microphones pick up sound from all directions, this microphone utilizes a supercardioid polar pattern to focus on sound in front of it while attenuating sound from the sides and rear. Its low-noise electronics and sensitive condenser element deliver more detailed audio than the mics typically found in cameras and portable recorders.

Easy Hookup to Camera

A straight 3.5mm cable is permanently attached to the mic for fast hookup to your camera. The cable’s 3.5mm TRS plug is wired in a dual-mono configuration, ensuring that the mic signal is sent identically to both input channels of your camera or portable recorder.

Long Battery Life

Pop a 9V battery in the VideoMic Pro for up to 70 hours of operating time. The dedicated power LED changes from green to red when the battery should be replaced. The VideoMic Pro can still function for approximately 10 hours once the power indicator turns red, but performance will be compromised. Use the power switch to conserve battery life during periods of inactivity.

Bass Roll-Off

The high-pass filter can be set to flat or 80 Hz to roll off low-frequency noise from common sources such as air conditioners and traffic.

3-Stage Gain Control

To enable optimal recording levels, the VideoMic Pro boasts a 3-stage gain control. Like the low roll-off and high-frequency boost, the gain control is digitally switched for precision and convenience. The +20 dB setting is ideal when recording to cameras, as it boosts the signal without requiring extreme gain on the camera’s inferior preamp. Select the flat setting when routing the mic into a dedicated high-quality preamp, or switch to the -10 dB option when loud sound sources threaten to distort your recording.

Integrated Shockmount Inhibits Vibrations

Understanding that the rubber bands used in many shockmounts can snap and stretch, Rode chose to integrate a rugged Rycote Lyre suspension-style shockmount. This simplifies setup of the mic and inhibits the transfer of vibrations from the camera. Plus, the bottom of the shockmount features a camera shoe mount with a 3/8″ thread, ensuring easy attachment to your camera or a boompole such as Rode’s Micro Boompole (available separately).

Windscreen Minimizes Wind Noise

The VideoMic Pro has a foam windscreen to reduce unwanted wind noise from breezes, fans, heaters, and air conditioners. For maximum reduction of wind noise in outdoor environments, consider a furry windshield such as the Rode DeadCat VMPR (available separately).

Connectivity Options

Expand the microphone’s device compatibility with Rode accessories such as the SC4 and VXLR (both available separately). The SC4 is a short cable that lets you connect the VideoMic Pro directly to a smartphone or tablet equipped with a 3.5mm TRRS jack. The VXLR adapter is the ideal solution when you want to record the VideoMic Pro to a camcorder or mixer that has XLR inputs.

Ruggard Journey 34 DSLR Shoulder Bag (Black)

Store, protect, and transport your compact DSLR or mirrorless camera with an attached lens, flash, related accessories, and up to two extra lenses with the lightweight, black Journey 34 DSLR Shoulder Bag from Ruggard. This handsome bag features a large flap with a quick release buckle, and double-pull zipper closure. The main compartment has four padded, touch-fastening dividers for organizing equipment. A light gray interior lining makes it easier to locate gear in low light. Under the lid is a large, zippered, mesh accessory pocket. Small accessories are easily accommodated in the front exterior zippered pocket. Inside this pocket are two slip-in pockets, two memory card pockets with touch-fastening flaps, and a zippered mesh pocket.

Photographers will appreciate the neoprene water bottle/accessory pocket located on the exterior left side of the bag. On the opposite side is a strap for attaching accessories. Carry the Journey 34 Shoulder Bag by the padded top handle, or wear with the removable, adjustable, padded shoulder strap. The strap has swiveling snap-hooks that attach to metal D-rings on either side of bag. And on the back of the bag is a trolley strap that comes in handy when traveling with rolling luggage. Two strips of plastic feet on the bottom of the bag help protect it against abrasion. This well-made bag is constructed from weather-resistant polyester and ballistic nylon.

Pawa NP-FW50 Lithium-Ion Battery Pack (7.4V, 1030mAh)

The Pawa NP-FW50 Lithium-Ion Battery Pack works with the same cameras as the Sony NP-FW50. This rechargeable replacement pack features 7.4V of output power, a capacity of 1030mAh, and a rating of 7.7Wh. Small and lightweight, lithium-ion batteries can be charged or discharged at any time without developing memory effects.

General Features

Compatible Cameras

Alpha:

a7S II
a7R II
a7S
a7
a7R
a7 II
a3000
a5000
a5100
a6000
a6300
a6500
NEX-3
NEX-5
NEX-5N
NEX-5R
NEX-5T
NEX-3N
NEX-6
NEX-7
NEX-F3
NEX-C3
SLT-A33
SLT-A35
SLT-A37
SLT-A55
SLT-A55V
A560
A580

ILCE-QX1

DSC-RX10
DSC-RX10 II

Chiaro Pro 67mm 98-UVATS UV Filter

The Pro 67mm 98-UVATS UV Filter is one of Chiaro’s highest-rated protective UV filters with 98% light transmission. It’s ideal for photographers of all levels who demand high-quality glass and other essential features for excellent image fidelity and construction.

To achieve 98% light transmission, Chiaro uses highly-polished optical glass, multi-coating, and additional advanced elements that improve the filter’s light transmission. A scratch-resistant coating minimizes scratching of the glass and helps assure that water, oil, dust, and fingerprints are removed with a gentle wipe. Its hard-anodized aluminum filter ring is designed to screw on and off effortlessly, and it is thin to prevent vignetting when used with wide-angle lenses. Side knurling helps assure that you’ll have a firm grip when attaching or removing your filter.

Image quality is what matters most at Chiaro. The company has tested and combined many features and essentials to achieve superior image quality and the highest light transmission. To help take the confusion out of selecting a filter, Chiaro prominently displays the light transmission levels so that you can choose the perfect filter for your lens and photo session.

98% Light Transmission

Protecting your lens doesn’t mean you have to lose optical quality. By using highly-polished optical glass and advanced coatings, Chiaro offers a 98% transmission rate, which is an excellent transmission rate for glass. And the company verifies the ratings with ISO certified lab testing.

Resistance Coating

The layers of advanced resistance coating on the filter are designed to resist moderate scratches, and allow you to easily clean your filter. Water beads up and rolls off your filter, and oil and fingerprints can come off with a gentle wipe. Dust and debris won’t adhere to the filter and can be removed with a puff of air.

Polished Optical Glass

Glass that’s polished to perfection is essential to achieve a high level of light transmission. The optical glass in this Chiaro filter is highly-polished for flatness that ensures excellent optical clarity.

Multi-Coating

Multi-coating enhances light transmission to the demanding level set for all Chiaro filters. It reduces unwanted internal reflections and ghosting that can compromise your images.

UV Protection

The filter blocks UV light and reduces the bluish cast of daylight that can affect color accuracy, especially at higher altitudes.

Hard Anodized Aluminum Construction

The process of hard anodizing toughens and strengthens the aluminum for a lightweight yet durable filter ring.

Slim Design

Measuring only 3.2mm, this filter is slim enough to use on wide-angle lenses without experiencing vignetting.

Top and Side Knurling

In addition to top knurling, Chiaro added side knurling to better grip the filter when you’re attaching and removing it, or when you’re stacking filters.

Secure Attachment

It takes two full turns to mount the filter on your lens. This feature will securely hold your Chiaro filter through the most demanding photo shoots.

Front Threads

The front threads on the filter allow you to stack filters by screwing them onto your Chiaro filter.

SanDisk 64GB Extreme PRO UHS-I SDXC Memory Card

Designed for SD devices that can capture Full HD, 3D, and 4K video, as well as raw and burst photography, the 64GB Extreme PRO UHS-I SDXC Memory Card from SanDisk has a capacity of 64GB, is compatible with the UHS-I bus, and features a speed class rating of V30, which guarantees minimum write speeds of 30 MB/s. If your device does not support the V30 standard, this card also supports the U3 standard, which likewise guarantees minimum write speeds of 30 MB/s. Read speeds are supported up to 170 MB/s and write speeds max out at 90 MB/s. A built-in write-protect switch helps to safeguard against the accidental erasure of card data.

While this card has been designed for cameras that are UHS-I / V30 / U3 compatible, it may be used in devices that do not support UHS-I / V30 / U3. However, bear in mind that this card will then default to your device’s speed class and bus rating, such as UHS-I and U1, which supports minimum write speeds of 10 MB/s, or Class 10, which also supports minimum write speeds of 10 MB/s.

As with most SanDisk cards, this memory card is shockproof, X-ray proof, waterproof, while also being able to withstand temperatures from -13 to 185°F, allowing you to take this card with you into extreme environments, such as snow, deserts, and pools. Should the card’s data become compromised, you also benefit from the option to download RescuePRO Deluxe software as well as a limited lifetime warranty.

General Features

Transfer Speeds up to 170 MB/s

Once the shots are taken, your work is only half done. Accelerating your workflow means you can carve out more time to take your creativity to the next level.

Record 4K UHD Video

Sometimes speed is what you need. The SanDisk Extreme PRO UHS-I SDXC card delivers the performance to capture uninterrupted 4K UHD video.

Sequential Burst Mode Shots

Rated UHS Speed Class 3 (U3) and Video Speed Class 30 (V30), the SanDisk Extreme PRO UHS-I SDXC card lets you capture sequential burst mode shots.

Durability You Can Count On

Built for and tested in harsh conditions, the SanDisk Extreme PRO UHS-I SDXC card is shockproof, X-ray proof, and waterproof, while also being able to withstand temperatures from -13 to 185°F.

Recover Images You Accidentally Deleted

Includes an offer for RescuePRO Deluxe 2-year data recovery software, which lets you restore images you accidentally deleted. Registration is required.

Sensei OC-CK Optics Care and Cleaning Kit

Keep your optical surfaces clean with the Sensei Optics Care and Cleaning Kit. This kit contains a pack of lens tissues, a lens cleaning pen, a bulb air blower, a paint brush, a lipstick brush, lens cleaning fluid, and a see-through mesh travel case to put everything in. This kit can be used to clean a variety of different optics and glass. You can use the air bulb blower and any of the three supplied brushes to initially remove dust from the surface. Sensei recommends applying a small amount of the alcohol- and ammonia-free cleaning fluid directly to the lens tissue. Then, gently rub in small circular motions to remove stubborn smudges or fingerprints from the glass. For those more stubborn blemishes or smudges, the lens pen is very effective.

In the Box